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Before the firmament breathed life into legend, man was alone, watching the skies. After the heavens returned man’s gaze, all were fearful, fleeing that which was long sought. Revelation, destruction, and rebirth – a cycle exposed in noble fashion, with light coloring the air in crimson-red hues. It was an unheard of omen bearing unknown consequences. As kingdoms rose, empires fell, and the gods were blamed. Such became normal on Atmos, where the line between reality and dreams had long been blurred.

This is the story of Atmos’s northern continent, just before a period of hardship. An unusual time of peace was preserved despite a bloody history, yet hidden forces rebel against it, vying for power during a critical time of change. As one boy would come to understand, few would be safe from what was to come.

In a new world, the center of mankind's greatest civilization holds an indispensable gift known as the Dream Engine. This machine holds the records of old in the form of visions that can be shared directly with anyone. All chronicled events can be viewed by anyone who wishes it, but a problem has occurred. The Dream Engine now forces these visions onto people, inserting fragments of antiquity into the dreams of many. Every bestowed experience then disappears from record as if it never existed. Panic ensues, as the valued history of man slips through the fingers of every dreamer in the vicinity. All are encouraged to document and submit what they witness, but the accounts are messy, and an even greater issue has emerged. Within the Dream Engine, there is evidence of sabotage.

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Current Priorities

Arthur Hill
Feb 21, 2025
1 min read

I am currently finishing up the final songs for the first album before it gets fully released to the public. Half of that involves remaking a few of the older songs, improving the quality. I am simultaneously working on additional songs for the second and last album. Hopefully, the second album will be finished around the same time as the first, or at least a week apart. I likely need to finish four more songs for the second album, primarily in volume II. The final album requires at least six more songs focused entirely on the narrative of the story. This may take another month, but by then, all of the albums will be distributed.

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I've just finished mastering Omen of the Ancient, Volumes III and IV, a few days ago. I'm currently having some issues with the distributor, so I spent some time last night on updating the third album

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